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Red (Taylor's Version) is the second re-recorded album by the American singer-songwriter Taylor Swift, released on November 12, 2021, through Republic Records. It is part of Swift's re-recording projects following the 2019 dispute over the ownership of her back catalog.

Red (Taylor's Version) includes re-recorded versions of the tracks on Swift's fourth studio album, Red (2012), and the 2012 charity single "Ronan"; and nine tracks denoted as "From the Vault":[note 1] six unreleased songs, a 10-minute-long version of "All Too Well", and solo versions of "Better Man" (2016) and "Babe" (2018), which Swift had written for Little Big Town and Sugarland. Swift and most original producers reprised their works on the re-recorded tracks with additions from Christopher Rowe, and the vault tracks featured inputs from Aaron Dessner, Jack Antonoff, Elvira Anderfjärd, and Espionage, with features from Phoebe Bridgers, Ed Sheeran, and Chris Stapleton.

Music critics described Red (Taylor's Version) as an eclectic album combining styles of pop, country, rock, and electronic, featuring various instruments such as acoustic strings and electronic keyboards. Its songs address the different dynamics of love and heartbreak. Met with unanimous acclaim, the album received critical praise for Swift's vocals, its enhanced production quality, and the vault tracks. Commercially, Red (Taylor's Version) topped the charts in Australia, Canada, and the United Kingdom, among others. In the United States, it was Swift's fourth number-one on the Billboard 200 in less than 16 months, registering the shortest time span for an artist to collect four number-one albums.

Swift promoted the album with televised appearances on NBC talk shows and a self-directed short film accompanying "All Too Well (10 Minute Version)". Red (Taylor's Version) broke the record for the most single-week new entries by an artist with 26 of its tracks charting on the Billboard Hot 100; "All Too Well (10 Minute Version)" became the longest song to ever top the chart. The vault tracks "I Bet You Think About Me" and "Message In A Bottle" were promoted as radio singles. Publications considered Red (Taylor's Version) a key pop culture moment of 2021. The album won a Billboard Music Award, two American Music Awards, and an NME Award.

Background[]

Taylor Swift signed a recording contract with Nashville-based independent record label Big Machine in 2005. As part of the contract, Big Machine released Swift's first six studio albums, from Taylor Swift (2006) to Reputation (2017).[1] Her fourth studio album, Red, was released on October 22, 2012. It expanded beyond the country stylings of her past albums and explored styles of mainstream pop and other genres.[2][3] The album's lead single, "We Are Never Ever Getting Back Together", was Swift's first number-one song on the Billboard Hot 100.[4] Other singles, "I Knew You Were Trouble" and "22", were commercially successful and propelled Swift towards pop stardom.[4][5] Although critical reviews of Red were generally positive, its eclectic musical influences led to critics questioning Swift's country-music identity; the album was retrospectively regarded as a testament to Swift's artistic versatility. Rolling Stone placed it at number 99 on its 2021 revision of the 500 Greatest Albums of All Time.[6]

By August 2018, Swift's contract with Big Machine had expired; she signed a new contract with Republic Records, a division of Universal Music Group, which secured her the rights to own the masters of the new music she would release.[7] In 2019, the talent manager Scooter Braun and his company Ithaca Holdings acquired Big Machine Records. The masters of Swift's Big Machine-released albums, including Red, were effectively transferred to Braun, which resulted in a public dispute between Swift and Braun.[8] Swift denounced the purchase and began re-recording her first six studio albums, including Red, in November 2020.[9] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use and therefore substituted the Big Machine–owned masters.[10]

The first in Swift's re-recording series was Fearless (Taylor's Version), which was released on April 9, 2021.[11] It is the re-recording of her second studio album, Fearless (2008). In addition to re-recordings of the original Fearless album tracks, Fearless (Taylor's Version) includes several unreleased tracks denoted as "From the Vault".[12][note 1] Fearless (Taylor's Version) became the first re-recorded album in history to top the US Billboard 200.[4] Two months after the release of Fearless (Taylor's Version), on June 18, 2021, Swift announced Red (Taylor's Version) as her second re-recorded album; it is the re-recording of Red.[4] In addition to the re-recordings of the original album tracks, Red (Taylor's Version) also includes nine vault tracks.[13]

On March 17, 2023, Swift released two more singles on EP alongside Red tracks; The More Red (Taylor's Version) Chapter. The EP included re-recorded versions of the 2012 "Hunger Games" soundtrack songs, "Safe & Sound" and "Eyes Open".

On May 30, 2025, Taylor bought the rights to her old albums, meaning she now also owns the original version.

Release and promotion[]

On June 18, 2021, Swift released the cover art of Red (Taylor's Version) and initially announced that the re-recorded album would be released on November 19, 2021.[4] Alongside the announcement, pre-orders for the digital album were made available.[14] The cover depicts Swift wearing red lipstick, a beige peacoat, and a burgundy-colored "Matti" fisherman velvet cap, seated in a vintage 1932 Chevrolet Cabriolet convertible with an autumnal background. Janessa Leoné designed the cap which quickly sold out on Leoné's website.[15][16] The customized ring that Swift wears on the cover was designed by one of Swift's real-life friends.[17] On August 5, 2021, Swift posted a video across her social media, teasing a word puzzle for the fans to solve; it spelled out "Chris Stapleton", "Phoebe Bridgers", "Babe", "Better Man", and "All Too Well Ten Minute Version".[18][19] Concurrently, pre-orders for the album's CDs went up on Swift's website.[18] She posted the official track listing on August 6.[20]

On September 30, Swift announced Red (Taylor's Version) would be released on November 12, a week earlier than scheduled.[13] She used social media to release snippets of several re-recorded songs prior to the album release: "22" and "I Knew You Were Trouble" via an Instagram story on August 5,[18] "Red" via an Instagram video on October 24,[21] and "Babe" via Tumblr on November 11.[22] Via Republic Records, Red (Taylor's Version) was released for streaming, download, and physical formats of CD and vinyls including limited editions with customized merchandise for the retailors Target Corporation, Walmart, and Urban Outfitters.[23][24] In January 2022, five streaming "chapters" containing tracks from Red (Taylor's Version) were released: Could You Be the One Chapter, She Wrote a Song About Me Chapter, The Slow Motion Chapter, and From the Vault Chapter.[25][26]

Starbucks partnered with Swift to commemorate the release of Red (Taylor's Version), which coincided with the company's "red cup holiday season".[27] The fitness equipment manufacturer Peloton announced an exclusive collaboration with Swift to use songs from the album for their on-demand fitness classes.[28] Swift promoted Red (Taylor's Version) via two NBC late-night talk shows, The Tonight Show Starring Jimmy Fallon and Late Night with Seth Meyers, which aired back-to-back on November 11.[29] Concurrently with the album's release on November 12, she premiered All Too Well: The Short Film, which accompanied "All Too Well (10 Minute Version)" and stars herself, Sadie Sink, and Dylan O'Brien; she also performed the song at the premiere.[30][31] The following day, she appeared as the musical guest and performed "All Too Well (10 Minute Version)" on Saturday Night Live.[32] The song was a number-one hit on the Billboard Hot 100, becoming the longest number-one song in history, surpassing the 8-minutes-and-37-seconds "American Pie" (1971) by Don McLean.[33]

Singles[]

Promotional singles[]

The vault tracks "I Bet You Think About Me" and "Message In A Bottle" were promoted as singles respectively to country radio[34][35] and pop/adult contemporary radio formats.[36]

"All Too Well (10 Minute Version)" was released as a digital promotional single on Swift's webstore on November 15, 2021, exclusively to U.S. customers.[37] The live acoustic version from the All Too Well: The Short Film premiere performance was released to the iTunes Store and her website for digital download the same day.[38] The acoustic "Sad Girl Autumn" version, recorded at Aaron Dessner's Long Pond Studio in Hudson Valley, was released on November 17.[39] In June 2022, a new version titled "All Too Well (10 Minute Version) (The Short Film)" was released for digital download and streaming that is 11 minutes and 26 seconds long with different instrumentals and outro.[40] The 10-minute version of the song was included on the set list for The Eras Tour (2023–2024).[41]

Commercial performance[]

Upon release, Red (Taylor's Version) broke the record for the most-streamed album created by a woman in a single day, surpassing Swift's Folklore (2020), and became the first female artist to amass over 100 million streams in a day on Spotify.[42] The album sold over 1.2 million album-equivalent units globally in its first week.[43] By December 2021, Spotify announced that Swift was the most streamed woman on the platform of the year, and the second-most streamed act overall, behind Bad Bunny.[44] The International Federation of the Phonographic Industry recognized Swift as the Global Recording Artist of 2021, marking the third consecutive time.[45] Red (Taylor's Version) sold 1.14 million copies globally in 2021.[46]

In the United States, Red (Taylor's Version) debuted atop the Billboard 200 with 605,000 first-week units that consisted of 303.23 million on-demand streams—surpassing the largest streaming week for a country album previously held by Morgan Wallen's Dangerous: The Double Album (2021). The album opened with 369,000 pure album sales—the largest figure for a country album since Luke Bryan's Crash My Party (2014). It marked Swift's tenth Billboard 200 chart topper, making Swift claim the fastest duration to earn four number ones on the Billboard 200 (less than 16 months), breaking Elton John's 46-year-old record.[47] Red (Taylor's Version) spent seven weeks atop Top Country Albums, which brought Swift's number of weeks at number one to 99, surpassing Shania Twain's 97-week record for a female artist.[48] It was the second-best-selling album of 2021 in the United States[49] and had surpassed 3.32 million US units by July 2023.[50]

On the Billboard Hot 100, 26 of the album's tracks debuted in the same week—"State of Grace (Taylor's Version)" and "State of Grace (Acoustic Version) (Taylor's Version)" were counted as one entry, as were "All Too Well (Taylor's Version)" and "All Too Well (10 Minute Version)". This set the records for the most simultaneous debuts overall and chart entries by a female artist, both of which were previously set by Swift's Lover (2019). Four of those tracks reached the top 40 region, bringing Swift's sum of top-40 entries to 85—the third-highest sum in history, surpassing Elvis Presley.[51] "All Too Well (Taylor's Version)" debuted at number one, marking the third time Swift debut at number one on both the Billboard 200 and Hot 100 charts the same week—following "Cardigan" and Folklore in August 2020 and "Willow" and Evermore in December 2020—a record for any artist.[52]

Red (Taylor's Version) peaked atop the albums charts in the Anglosphere countries, including Australia,[53] Canada, Ireland,[54] New Zealand, and the United Kingdom.[55] In Canada, it was the fifth-best-selling album of 2021, ranking within the top 10 across digital, CD, and vinyl sales metrics.[56] The album brought Swift's number of chart-topping albums to eight in the United Kingdom,[55] nine in Australia—making Swift the first artist in history to have four number-one albums within two years,[53] and seven in Ireland—the most for a female artist this millennium.[54]

Critical reception[]

Red (Taylor's Version) ratings
Aggregate scores
Source Rating
Metacritic 91/100[57]
Review scores
Source Rating
AllMusic 3.5/5 stars[58]
The A.V. Club A−[59]
Clash 9/10[60]
The Guardian 4/5 stars[61]
The Independent 5/5 stars[62]
The Line of Best Fit 9/10[63]
The New Zealand Herald 5/5 stars[64]
NME 4/5 stars[65]
Pitchfork 8.5/10[66]
Rolling Stone 5/5 stars[67]

Red (Taylor's Version) received universal critical acclaim.[68] At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received a weighted mean score of 91 based on 16 reviews; it is Swift's highest-rated project on the site.[57]

Lydia Burgham of The New Zealand Herald wrote that listening to Red (Taylor's Version) made her reflect on the original Red as Swift's "magnum opus".[64] Many critics opined that the re-recorded tracks had a better production with more emphasis on the instrumentation, including Rob Sheffield of Rolling Stone,[67] Helen Brown of The Independent,[62] and Hannah Mylrea of NME.[65] Under the Radar's Andy Von Pip[69] and Melissa Ruggieri of USA Today[70] highlighted Swift's vocals as being more mature and warmer. The Line of Best Fit's Paul Bridgewater wrote that they were "subtly bolder and more assertive",[63] and Kate Solomon of the i wrote that they had "newly limber muscles".[71] Some critics such as Bobby Olivier of Spin[72] and Laura Snapes of The Guardian[61] thought that the changes in production and vocals brought forth a less intense listening experience than the original album, but Ruggieri opined that they "don't diminish the spirit of the 2012 edition".[70]

The lyricism of Swift's songwriting was particularly well-received. Red (Taylor's Version) was Pitchfork's "Best New Music" of its release week; Olivia Horn summed up the album as a representation of Swift's "ecstatic, expressive vocals, tart humor, vivid imagery, and tender attention to the nuances of love and loss".[66] Von Pip wrote that the re-recorded album made the original's lyrical sentiments more lingering.[69] Anna Leszkiewicz of the New Statesman described Red (Taylor's Version) as a masterful recount of complicated early-adulthood feelings,[73] and Ana Clara Ribeiro of PopMatters wrote that the re-recorded album upheld the enduring lyrical sentiments that stood the test of time.[74] In the Financial Times, Ludovic Hunter-Tilney wrote, "the songs' carousel of romantic drama still spins vibrantly, constructed with a winning mix of wit, design and sincerity."[75] Beth Kirkbride of Clash said, Red (Taylor's Version) is a "medley of genres" toying with various styles and "an exercise in catharsis".[60]

Some critics highlighted Swift's insight and musicality. Bridgewater opined that Red (Taylor's Version) "balances fan service alongside an insightful documentation of one of modern pop's best songwriters at a key juncture in her career", and added that Swift has carefully curated the expanded tracklist without devolving from the album's original appeal.[63] Slant Magazine's Jonathan Keefe,[76] The Atlantic's Spencer Kornhaber,[77] and Consequence's Mary Siroky felt the expanded album testifies to Swift's musical growth, exuding "a stronger emotional resonance".[78] Variety's Chris Willman appreciated the vault tracks.[79]

Accolades[]

Red (Taylor's Version) received many accolades of the music industry, such as placements on best-of lists. At the 2022 Billboard Music Awards, Swift received seven nominations, including wins for Top Country Album, Top Country Artist, Top Country Female Artist, and Top Billboard 200 Artist.[80] At the 2022 American Music Awards, Swift won all six of her nominations, including Artist of the Year, Favorite Pop Female Artist, and Favorite Country Female Artist.[81] At the 65th Annual Grammy Awards, "All Too Well (10 Minute Version)", All Too Well: The Short Film, and "I Bet You Think About Me" were nominated for Song of the Year, Best Music Video, and Best Country Song, respectively, with All Too Well: The Short Film winning its category.[82][83]

Organization Year Award Result
Guinness World Records 2022 Most Day-one Streams of An Album on Spotify (Female) Won
NME Awards 2022 Best Reissue Won
Kids' Choice Awards 2022 Favorite Album Nominated
Billboard Music Awards 2022 Top Country Album Won
American Music Awards 2022 Favorite Pop/Rock Album Won
Favorite Country Album Won
ARIA Music Awards 2022 Best International Artist Nominated
Gold Derby Music Awards 2023 Album of the Year Nominated
Best Country/Americana Album Won
Juno Awards 2023 International Album of the Year Nominated

Track listing[]

Standard edition
No.TitleWriter(s)Producer(s)Length
1."State Of Grace"Taylor SwiftSwift • Christopher Rowe4:56
2."Red"SwiftSwift • Rowe3:43
3."Treacherous"Swift • Dan WilsonWilson4:02
4."I Knew You Were Trouble"Swift • Max MartinShellbackSwift • Rowe • Shellback3:39
5."All Too Well"Swift • Liz RoseSwift • Rowe5:29
6."22"Swift • Martin • ShellbackSwift • Rowe • Shellback3:50
7."I Almost Do"SwiftSwift • Rowe4:04
8."We Are Never Ever Getting Back Together"Swift • Martin • ShellbackSwift • Rowe • Shellback3:13
9."Stay Stay Stay"SwiftSwift • Rowe3:25
10."The Last Time" (featuring Gary Lightbody of Snow Patrol)Swift • Lightbody • Jacknife LeeLee4:59
11."Holy Ground"SwiftJeff Bhasker3:22
12."Sad Beautiful Tragic"SwiftSwift • Rowe • Paul Mirkovich4:44
13."The Lucky One"SwiftBhasker4:00
14."Everything Has Changed" (featuring Ed Sheeran)Swift • SheeranButch Walker4:05
15."Starlight"SwiftSwift • Rowe • Mirkovich3:40
16."Begin Again"SwiftSwift • Rowe3:58
17."The Moment I Knew"SwiftSwift • Rowe • Mirkovich4:45
18."Come Back...Be Here"Swift • WilsonWilson3:43
19."Girl At Home"SwiftElvira Anderfjärd3:40
20."State Of Grace" (acoustic version)SwiftSwift • Rowe5:21
21."Ronan"Swift • Maya ThompsonSwift • Rowe4:24
22."Better Man"SwiftSwift • Aaron Dessner4:57
23."Nothing New" (featuring Phoebe Bridgers)SwiftSwift • Dessner • Tony Berg4:18
24."Babe"Swift • Patrick MonahanSwift • Jack Antonoff3:44
25."Message In A Bottle"Swift • Martin • ShellbackAnderfjärd • Shellback3:45
26."I Bet You Think About Me" (featuring Chris Stapleton)Swift • Lori McKennaSwift • Dessner4:45
27."Forever Winter"Swift • Mark FosterSwift • Antonoff4:23
28."Run" (featuring Ed Sheeran)Swift • SheeranSwift • Dessner4:00
29."The Very First Night"Swift • Amund Bjørklund • Espen LindEspionage • Tim Blacksmith • Danny D3:20
30."All Too Well (10 Minute Version)"Swift • RoseSwift • Antonoff10:13
Total length:2:10:26

Notes[]

  • All tracks are subtitled "(Taylor's Version)".
  • Tracks 22-30 are additionally subtitled "(From The Vault)".
  • The Apple Music version of the album has a voicenote called "A Message From Taylor", describing the album.

The More Red (Taylor's Version) Chapter[]

The EP was released on March 17, 2023.

The More Red (Taylor's Version) Chapter
No.TitleWriter(s)Producer(s)Length
1."I Knew You Were Trouble"Swift • Martin • ShellbackSwift • Rowe • Shellback3:40
2."22"Swift • Martin • ShellbackSwift • Rowe • Shellback3:52
3."We Are Never Ever Getting Back Together"Swift • Martin • ShellbackSwift • Rowe • Shellback3:13
4."All Too Well (10 Minute Version)"Swift • RoseSwift • Antonoff10:13
5."Eyes Open"SwiftSwift • Rowe • Mirkovich4:03
6."Safe & Sound" (featuring Joy Williams and John Paul White)Swift • Williams • White • T-Bone BurnettSwift • Rowe • Mirkovich3:59
Total length:28:59

Notes[]

  • All tracks are subtitled "(Taylor's Version)".

Spotify streams[]

Standard edition
No. Song Streams
1. State Of Grace (Taylor's Version)* 149,716,125
2. Red (Taylor's Version)* 372,548,997
3. Treacherous (Taylor's Version)* 133,785,814
4. I Knew You Were Trouble (Taylor's Version) 467,797,594
5. All Too Well (Taylor's Version)* 333,626,791
6. 22 (Taylor's Version) 374,246,168
7. I Almost Do (Taylor's Version)* 113,710,933
8. We Are Never Ever Getting Back Together (Taylor's Version) 442,609,107
9. Stay Stay Stay (Taylor's Version)* 106,341,662
10. The Last Time (Taylor's Version)* 147,118,059
11. Holy Ground (Taylor's Version)* 108,477,123
12. Sad Beautiful Tragic (Taylor's Version)* 122,388,542
13. The Lucky One (Taylor's Version)* 93,656,813
14. Everything Has Changed (Taylor's Version) 200,038,335
15. Starlight (Taylor's Version)* 86,966,506
16. Begin Again (Taylor's Version)* 140,237,843
17. The Moment I Knew (Taylor's Version)* 88,074,505
18. Come Back...Be Here (Taylor's Version)* 142,094,818
19. Girl At Home (Taylor's Version)* 72,154,922
20. State Of Grace (Acoustic) (Taylor's Version)* 65,766,911
21. Ronan (Taylor's Version)* 53,787,050
22. Better Man (Taylor's Version) (From The Vault) 180,191,259
23. Nothing New (Taylor's Version) (From The Vault) 271,738,444
24. Babe (Taylor's Version) (From The Vault) 152,302,606
25. Message In A Bottle (Taylor's Version) (From The Vault) 245,256,729
26. I Bet You Think About Me (Taylor's Version) (From The Vault) 259,589,068
27. Forever Winter (Taylor's Version) (From The Vault) 113,709,473
28. Run (Taylor's Version) (From The Vault) 158,453,500
29. The Very First Night (Taylor's Version) (From The Vault) 209,868,695
30. All Too Well (10 Minute Version) (Taylor's Version) (From The Vault) 1,055,019,939
* Total streams 6,461,274,331
Miscellaneous
No. Song Streams
1. Safe & Sound (Taylor's Version) 75,673,546
2. Eyes Open (Taylor's Version) 47,947,611
* Total streams 105,141,196

No. Song Streams
1. All Too Well (10 Minute Version) (Taylor's Version) (From The Vault)* 1,055,019,939
2. I Knew You Were Trouble (Taylor's Version) 467,797,594
3. We Are Never Ever Getting Back Together (Taylor's Version) 442,609,107
4. 22 (Taylor's Version) 374,246,168
5. Red (Taylor's Version)* 372,548,997
6. All Too Well (Taylor's Version)* 333,626,791
7. Nothing New (Taylor's Version) (From The Vault)* 271,738,444
8. I Bet You Think About Me (Taylor's Version) (From The Vault)* 259,589,068
9. Message In A Bottle (Taylor's Version) (From The Vault)* 245,256,729
10. The Very First Night (Taylor's Version) (From The Vault)* 209,868,695
11. Everything Has Changed (Taylor's Version) 200,038,335
12. Better Man (Taylor's Version) (From The Vault) 180,191,259
13. Run (Taylor's Version) (From The Vault) 158,453,500
14. Babe (Taylor's Version) (From The Vault) 152,302,606
15. State Of Grace (Taylor's Version)* 149,716,125
16. The Last Time (Taylor's Version)* 147,118,059
17. Come Back...Be Here (Taylor's Version)* 142,094,818
18. Begin Again (Taylor's Version)* 140,237,843
19. Treacherous (Taylor's Version)* 133,785,814
20. Sad Beautiful Tragic (Taylor's Version)* 122,388,542
21. I Almost Do (Taylor's Version)* 113,710,933
22. Forever Winter (Taylor's Version) (From The Vault) 113,709,473
23. Holy Ground (Taylor's Version)* 108,477,123
24. Stay Stay Stay (Taylor's Version)* 106,341,662
25. The Lucky One (Taylor's Version)* 93,656,813
26. The Moment I Knew (Taylor's Version)* 88,074,505
27. Starlight (Taylor's Version)* 86,966,506
28. Safe & Sound (Taylor's Version) 75,673,546
29. Girl At Home (Taylor's Version)* 72,154,922
30. State Of Grace (Acoustic) (Taylor's Version)* 65,766,911
31. Ronan (Taylor's Version)* 53,787,050
32. Eyes Open (Taylor's Version) 47,947,611

  • *has more streams than the original version
  • Last Update: July 27, 2025

Physical copies[]

Standard edition[]

Special editions[]

Booklet[]

Physical booklet[]

Promotional[]

Photoshoot[]

Main article: Red (Taylor's Version) photoshoot

Merchandise[]

Personnel[]

Musicians

  • Taylor Swift – vocals, background vocals (1–4, 6–9, 11–15, 17, 18)
  • Amos Heller – bass guitar (1, 2, 4–9, 16, 20), synth bass (5, 6, 8), clapping (9)
  • Matt Billingslea – drums, percussion (1, 2, 4–9, 16, 20, 21); vibraphone (1), drum programming (4, 6, 8), clapping (9)
  • Max Bernstein – electric guitar (1, 2, 4, 9), synthesizer (4–6, 8, 9, 16, 20), acoustic guitar (7), steel guitar (16)
  • Mike Meadows – electric guitar (1), synthesizer (1, 2, 4, 6, 8), Hammond B3 (2, 16), acoustic guitar (4–9, 11, 13, 16, 20), background vocals (5, 9), clapping (9), mandolin (9, 16), piano (21)
  • Paul Sidoti – electric guitar (1, 2, 4–6, 8, 9, 16, 21), acoustic guitar (7), piano (20)
  • Jonathan Yudkin – strings (1, 2, 17), bouzouki (2), violin (16)
  • David Cook – piano (2, 5, 16)
  • Dan Wilson – bass, guitar (3, 18); background vocals (3)
  • Aaron Sterling – drums, percussion, programming (3, 18)
  • Andy Thompson – electric guitar (3), keyboards (3, 18), bass, conductor, synth bass (18)
  • Sara Mulford – piano (3, 18), synthesizer (18)
  • Dan Burns – programming (4, 6, 8)
  • Jacknife Lee – bass, guitar, keyboards, piano (10)
  • Davide Rossi – string arrangement, cello, viola, violin (10)
  • Matt Bishop – drums (10)
  • Gary Lightbody – vocals, guitar (10); background vocals (14)
  • Owen Pallett – string arrangement (10)
  • Bebel Matsumiya – background vocals (11, 13)
  • Jeff Bhasker – background vocals, synthesizer (11, 13)
  • Ian Gold – drum programming (11, 13)
  • Anders Mouridsen – electric guitar (11, 13)
  • Alexander Sasha Krivtsov – acoustic bass guitar (12, 17), electric bass (15)
  • Justin Derrico – acoustic guitar (12, 15, 17), bouzouki, electric guitar (15); ukulele (17)
  • Nate Morton – drums (12, 15, 17), drum programming (15)
  • Paul Mirkovich – piano, synthesizer (12, 15, 17); synth bass (12, 17), drum programming (15, 17)
  • Ed Sheeran – vocals, acoustic guitar (14, 28); background vocals (14)
  • Butch Walker – background vocals, bass, drums, guitar, keyboards, percussion (14)
  • Pete Amato – drum programming (15)
  • Charlie Judge – accordion (16)
  • Caitlin Evanson – background vocals (16, 22)
  • Liz Huett – background vocals (17, 22)
  • Dan Lawonn – cello (18)
  • Kirsten Whitson – cello (18)
  • Ruth Marshall – cello (18)
  • Charlie Block – double bass (18)
  • David Campbell – string arrangement (18)
  • Sam Bergman – viola (18)
  • Valerie Little – viola (18)

  • Allison Ostrander – violin (18)
  • Conor O'Brien – violin (18)
  • Erika Hoogeveen – violin (18)
  • Felicity James – violin (18)
  • Huldah Niles – violin (18)
  • Kate Bennett – violin (18)
  • Mary Alice Hutton – violin (18)
  • Natalia Moiseeva – violin (18)
  • Natsuki Kumagai – violin (18)
  • Troy Gardner – violin (18)
  • Elvira Anderfjärd – background vocals, bass, drums, keyboards, programming (19, 25)
  • Aaron Dessner – acoustic guitar, bass guitar, electric guitar, keyboards, piano (22, 23, 26); synthesizer (22, 23, 28), drum programming (22, 28)
  • Josh Kaufman – electric guitar (22, 26, 28), lap steel guitar (22, 26), acoustic guitar, mandolin (22); harmonica (26)
  • London Contemporary Orchestra – orchestra (22, 26, 28)
    • Galya Bisengalieva – orchestra leader, violin
    • Robert Ames – conductor
    • Jonny Byers, Max Ruisi, Oliver Coates – cello
    • Dave Brown – double bass
    • Clifton Harrison, Matthew Kettle, Stephanie Edmundson, Zoe Matthews – viola
    • Anna Ovsyanikova, Anna de Bruin, Antonia Kesel, Charis Jenson, Charlotte Reid, Eloisa-Fleur Thorn, Guy Button, Natalie Klouda, Nicole Crespo O'Donoghue, Nicole Stokes, Zara Benyounes – violin
  • James Krivchenia – drums, percussion (22, 26, 28)
  • Clarice Jensen – cello (23)
  • Yuki Numata Resnick – violin (23)
  • Phoebe Bridgers – vocals (23)
  • Jack Antonoff – acoustic guitar, bass, electric guitar, keyboards (24, 27, 30); Mellotron, percussion, programming (24, 27, 30); drums (24, 27), 12-string acoustic guitar (27), slide guitar (30)
  • Mikey Freedom Hart – acoustic guitar (24), celesta, Hammond B3 (24, 30); electric guitar, slide guitar, synthesizer (24, 27); bass, pedal steel (27); baritone guitar, organ (30), piano, Wurlitzer organ (30)
  • Sean Hutchinson – drums, percussion (24, 27, 30)
  • Evan Smith – flute, saxophone (24, 27, 30); synthesizer (30)
  • Michael Riddleberger – percussion (24, 27, 30)
  • Cole Kamen-Green – trumpet (24, 27)
  • Shellback – guitar, keyboards, programming (25)
  • Chris Stapleton – vocals (26)
  • Mark Foster – background vocals (27)
  • Thomas Bartlett – keyboards, synthesizer (28)
  • Espen Lind – bass (29)
  • Freddy Holm – dobro, guitar, keyboards (29)
  • Torstein Lofthus – drums (29)
  • Amund Bjørklund – keyboards (29)
  • Bobby Hawk – strings (30)

Technical

  • Taylor Swift – executive producer
  • Randy Merrill – mastering
  • Serban Ghenea – mixing (1–21, 24, 25, 27, 29, 30)
  • Jonathan Low – mixing, recording (22, 23, 25, 28, 30); engineering (23, 28)
  • Bryce Bordone – mix engineering (1–9, 11–21, 24, 25, 27), mixing assistance (10, 29)
  • Derek Garten – engineering, editing (1, 2, 4–7, 9, 12, 15–17, 20, 21); vocal engineering (22)
  • John Hanes – engineering (10, 29)
  • Ian Gold – engineering (11, 13)
  • Aaron Dessner – engineering (23, 28), recording (22, 23)
  • Bella Blasko – engineering, recording (23, 28)
  • Will Maclellan – engineering (23, 28)
  • Cole Kamen-Green – engineering (24, 27)
  • David Hart – engineering (24, 27, 30)
  • Evan Smith – engineering (24, 27, 30)
  • Jack Antonoff – engineering, recording (24, 27, 30)
  • John Rooney – engineering, engineering assistance (24, 27, 30)
  • Laura Sisk – engineering, recording (24, 27, 30)
  • Michael Riddleberger – engineering (24, 27, 30)
  • Mikey Freedom Hart – engineering (24, 27, 30)
  • Sean Hutchinson – engineering (24, 27, 30)
  • Jon Gautier – engineering (30)
  • David Payne – recording (1, 2, 5, 7, 16, 20, 21)
  • Aaron Sterling – recording (3, 18)
  • Andy Thompson – recording (3, 18)
  • John Mark Nelson – recording (3, 18)

  • Sara Mulford – recording (3, 18)
  • Jacknife Lee – recording (10)
  • Matt Bishop – recording, editing (10)
  • Travis Ference – recording, additional engineering (12, 15, 17); editing (15)
  • Butch Walker – recording (14)
  • Justin Derrico – recording (15), additional engineering (12, 15, 17)
  • Miles Hanson – recording (18)
  • Elvira Anderfjärd – recording (19)
  • Jeremy Murphy – recording (22, 28)
  • Espen Lind – recording (29)
  • Mike Hartung – recording (29)
  • Christopher Rowe – vocal engineering
  • Sam Holland – vocal engineering (4, 8)
  • Robert Sellens – vocal engineering (14, 28)
  • Tony Berg – vocal production (23)
  • Austin Brown – editing, engineering assistance (1, 2, 5, 7, 9, 16, 20, 21)
  • Dan Burns – additional engineering (1, 2, 4, 5, 7–9, 16, 20, 21)
  • Paul Mirkovich – additional engineering (12, 15, 17)
  • Pete Amato – additional engineering (15)
  • Daniel Ficca – additional engineering (18)
  • Josh Kaufman – additional engineering (26)
  • Jeff Fitzpatrick – engineering assistance (17)
  • Jon Sher – engineering assistance (24, 27, 30)
  • Lauren Marquez – engineering assistance (24, 27, 30)
  • Michael Fahey – engineering assistance (26)

Merchandise[]

Trivia[]

  • The album is Swift's third explicit album, with the previous two being folklore and evermore. The songs "I Bet You Think About Me" and "All Too Well (10 Minute Version)" are marked as explicit.
    • Although "The Man" from Swift's Lover album has explicit lyrics ("What's it like to brag about / Raking in dollars / And getting bitches and models") according to Musixmatch, it is not flagged as explicit on Spotify and Apple Music.[84] Similarly, "I Did Something Bad" from Reputation has an explicit line ("If a man talks shit then I owe him nothing"), but the song is not marked as explicit on any streaming platform.
  • The album is Swift's longest, being over two hours and ten minutes long.
  • The longest song on the album is "All Too Well (10 Minute Version)" at 10:13 and the shortest song on the album is "We Are Never Getting Back Together", at 3:13.
    • "All Too Well (10 Minute Version)" is the longest song in Swift's discography overall.
  • After breaking the record of having the longest song in the top position on the Billboard 200 Chart, Swift sent Don McLean, the previous record holder, flowers, along with a note that said: "I will never forget that I’m standing on the shoulders of giants. Your music has been so important to me. Sending love one writer of LONG SONGS to another."[85][86]
  • The photos for the album came from the Evermore photoshoot; in the Spotify canvases of some songs from the Evermore album, which are "Dorothea", "Long Story Short", and "Right Where You Left Me", Taylor is seen with the clothes she wears and is in the same locations as in the photos of Red (Taylor's Version).

References[]

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  3. "Taylor Swift Readies Her Version Of Red, Featuring 30 Songs". June 18, 2021. https://americansongwriter.com/taylor-swift-readies-her-version-of-red-featuring-30-songs/.
  4. 4.0 4.1 4.2 4.3 4.4 Lipshutz, Jason (June 18, 2021). "Taylor Swift Announces Red As Next Re-Recorded Album, November Release Date". https://www.billboard.com/articles/columns/pop/9589369/taylor-swift-red-taylors-version-november-release-date.
  5. Perez, Lexy (November 12, 2021). "Taylor Swift Releases Re-recorded Red (Taylor's Version) Album". https://www.hollywoodreporter.com/news/music-news/taylor-swift-red-rerecorded-taylors-version-album-1234991686/.
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  8. Christman, Ed (June 30, 2019). "Scooter Braun Acquires Scott Borchetta's Big Machine Label Group, Taylor Swift Catalog For Over $300 Million". https://www.billboard.com/articles/business/8518119/scooter-braun-acquires-big-machine-label-group-scott-borchetta.
  9. Melas, Chloe (November 16, 2020). "Taylor Swift Speaks Out about Sale of Her Masters". CNN. https://edition.cnn.com/2020/11/16/entertainment/taylor-swift-masters/index.html.
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  39. Atkinson, Katie (November 17, 2021). "Taylor Swift Releases an Even Sadder Version of 'All Too Well' for 'Sad Girl Autumn': Listen". https://www.billboard.com/music/music-news/taylor-swift-all-too-well-sad-girl-autumn-version-listen-1234999169/.
  40. "Taylor Swift Performs, Brings Out Sadie Sink and Dylan O'Brien at Tribeca Film Festival". June 11, 2022. https://www.stereogum.com/2189800/taylor-swift-drops-11-minute-short-film-version-of-all-too-well-on-streaming-services/music/.
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  43. Huff, Lauren (November 22, 2021). "Taylor Swift's 10-minute version of 'All Too Well' is the longest song to ever top the Hot 100". https://finance.yahoo.com/news/taylor-swifts-10-minute-version-220555189.html.
  44. Hosken, Patrick (December 1, 2021). "Bad Bunny And Taylor Swift Are Spotify's Most-Streamed Global Artists Of 2021". MTV. http://www.mtv.com/news/3182881/spotify-unwrapped-most-streamed-bad-bunny-taylor-swift/.
  45. "BTS named Global Recording Artist of the Year by IFPI for second straight year". February 24, 2022. https://www.musicbusinessworldwide.com/bts-named-global-recording-artist-of-the-year-by-ifpi-for-second-straight-year/.
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  47. Caulfield, Keith (November 21, 2021). "Taylor Swift Scores 10th No. 1 Album on Billboard 200 Chart With Red (Taylor's Version)". https://www.billboard.com/music/chart-beat/taylor-swift-tenth-number-one-album-billboard-200-red-taylors-version-1235000860/.
  48. Nicholson, Jessica (January 7, 2022). "Shania Twain Passes the Baton as Taylor Swift Bests Her Country Albums Chart Record: 'Let's Go Girls!'". https://www.billboard.com/music/country/taylor-swift-shania-twain-country-albums-chart-1235016337/.
  49. Caulfield, Keith (January 6, 2022). "Dua Lipa's 'Levitating' Is Most-Streamed Song of 2021 In U.S., Morgan Wallen's Dangerous: The Double Album Is MRC Data's Top Album". https://www.billboard.com/music/chart-beat/dua-lipa-morgan-wallen-us-2021-mrc-data-1235016079/.
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  51. Zelinder, Xander (November 22, 2021). "Taylor Swift Charts 26 Songs From Red (Taylor's Version) on Billboard Hot 100". https://www.billboard.com/music/chart-beat/taylor-swift-26-songs-hot-100-red-taylors-version-1235001484/.
  52. Trust, Gary (November 22, 2021). "Taylor Swift's 'All Too Well (Taylor's Version)' Soars in at No. 1 on Billboard Hot 100". https://www.billboard.com/music/chart-beat/taylor-swift-all-too-well-hot-100-debut-1235001340/.
  53. 53.0 53.1 Brandle, Lars (November 19, 2021). "Taylor Swift Snags Australian Chart Double". https://www.billboard.com/music/chart-beat/taylor-swift-australian-chart-double-1235000134/.
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  59. Gajjar, Saloni (November 15, 2021). "Album Review: Red (Taylor's Version) Is An Epic Time Machine". https://www.avclub.com/taylor-swift-s-red-taylors-version-is-a-sweeping-pro-1848067892.
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  61. 61.0 61.1 Snapes, Laura (November 12, 2021). "Taylor Swift: Red (Taylor's Version) Review – Getting Back Together with a Classic". The Guardian. https://www.theguardian.com/music/2021/nov/12/taylor-swift-red-taylors-version-review-republic.
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  70. 70.0 70.1 Ruggieri, Melissa (November 12, 2021). "Taylor Swift's New Red Is a Fan Feast of 30 Sensitive, Angry and Transformative Songs". USA Today. https://amp.usatoday.com/amp/6371456001.
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  74. Ribeiro, Ana Clara (December 16, 2021). "Taylor Swift Re-Immortalizes Classic Red (Taylor's Version)". https://www.popmatters.com/taylor-swift-red-taylors-version.
  75. Hunter-Tilney, Ludovic (November 12, 2021). "Taylor Swift Recreates 2012 Album Red to Foil Former Record Company". Financial Times. https://www.ft.com/content/d7e13410-31d3-426e-b0e9-4381e6e1f1b0.
  76. Keefe, Jonathan (November 17, 2021). "Review: Taylor Swift's Red Redux Flaunts the Singer's Refined Pop Instincts". https://www.slantmagazine.com/music/taylor-swift-red-taylors-version-album-review/.
  77. Kornhaber, Spencer (November 14, 2021). "On SNL, Taylor Swift Stopped Time". https://www.theatlantic.com/culture/archive/2021/11/snl-taylor-swift-all-too-well-red/620706/.
  78. Siroky, Mary (November 12, 2021). "Red Like We Never Knew: Taylor Swift Finishes the Story on Her Terms". https://consequence.net/2021/11/red-taylors-version-analysis-taylor-swift/.
  79. Willman, Chris (November 12, 2021). "On Red (Taylor's Version), Taylor Swift's Vault Tracks Are All Too Swell: Album Review". https://variety.com/2021/music/album-reviews/taylor-swift-red-taylors-version-album-review-all-too-well-1235110634/.
  80. Shafer, Elise (May 15, 2022). "Billboard Music Awards 2022: Full Winners". https://variety.com/2022/music/news/billboard-awards-2022-winners-list-1235266875/.
  81. Atkinson, Katie (November 21, 2022). "Here Are All the 2022 AMAs Winners". https://www.billboard.com/music/awards/2022-amas-winners-list-1235174393/.
  82. Willman, Chris (November 15, 2022). "Grammy Awards Nominations 2023: The Complete List". https://variety.com/2022/music/news/grammy-nominations-2023-complete-list-nominees-1235433127/.
  83. "Taylor Swift Makes GRAMMY History (Again) with Best Music Video Win for "All Too Well: The Short Film" | 2023 GRAMMYs". Grammy Awards. https://www.grammy.com/news/taylor-swift-all-too-well-the-short-film-best-music-video-winner-2023-grammys.
  84. https://www.musixmatch.com/lyrics/Taylor-Swift/The-Man
  85. https://www.cnn.com/2021/12/04/entertainment/taylor-swift-don-mclean-record-flowers-cec/index.html
  86. https://www.instagram.com/p/CW9Ic-wrwQD/?utm_source=ig_web_copy_link

Notes[]

  1. 1.0 1.1 This article refers to these tracks as "vault tracks" hereafter for concision.
RED
"State Of Grace" • "Red" • "Treacherous" • "I Knew You Were Trouble" • "All Too Well" • "22" • "I Almost Do" • "We Are Never Ever Getting Back Together" • "Stay Stay Stay" • "The Last Time" • "Holy Ground" • "Sad Beautiful Tragic" • "The Lucky One" • "Everything Has Changed" • "Starlight" • "Begin Again"
Deluxe Edition
"The Moment I Knew" • "Come Back...Be Here" • "Girl At Home" • "Treacherous" (demo) • "Red" (demo)
"State Of Grace" (acoustic)
Taylor's Version
"Ronan" • "Better Man" • "Nothing New" • "Babe" • "Message In A Bottle" • "I Bet You Think About Me" • "Forever Winter" • "Run" • "The Very First Night" • "All Too Well (10 Minute Version)"
The More Red (Taylor's Version) Chapter
"Safe & Sound" • "Eyes Open"